Clive Davis, one of the most influential figures in the music industry, has passed away at the age of 94. Known as the man with the “golden ears,” Davis’s career spanned decades, during which he played a pivotal role in launching and revitalizing the careers of legendary artists like Whitney Houston, Janis Joplin, Carlos Santana, and Alicia Keys.
The Hitmaker
Working initially as a lawyer for the record industry, Davis quickly emerged as a key player. His journey began at Columbia Records in the 1960s, making significant contributions to the music world.
“I Will Always Love You,” Whitney Houston (1992)
This song is a case of music industry legend. Davis and producer David Foster had a notable disagreement over its arrangement. Davis insisted on the iconic 40-second a cappella intro, a suggestion from Houston’s “Bodyguard” co-star Kevin Costner. Ultimately, Davis’s vision prevailed.
“Smooth,” Santana ft. Rob Thomas (1999)
Davis was the architect of Santana’s 1999 album “Supernatural,” pairing Carlos Santana with contemporary talents. The album earned eight Grammys and rejuvenated Santana’s career. Davis convinced Santana to embrace “Smooth,” despite initial reluctance.
“Freeway of Love,” Aretha Franklin (1985)
With Aretha Franklin, Davis revitalized her career during the 1980s when her commercial success was waning. The R&B-pop track “Freeway of Love” from her album “Who’s Zoomin’ Who?” vaulted Franklin back into the limelight.
“Piece of My Heart,” Big Brother & the Holding Company featuring Janis Joplin (1967)
In 1967, Davis attended the Monterey International Pop Festival. Enraptured by the performances, he decided to incorporate rock ‘n’ roll into Columbia Records, despite the label’s resistance. His collaboration with Janis Joplin began here, transforming “Piece of My Heart” into a major hit.
“Blinded by the Light,” Bruce Springsteen (1973)
Davis recognized Bruce Springsteen’s talent early on. He encouraged the young artist from New Jersey to record “Blinded by the Light” from Springsteen’s debut album, “Greetings from Asbury Park, N.J.”
“Fallin,'” Alicia Keys (2001)
Davis was a fervent supporter of Alicia Keys. Signing her to J Records, he saw her potential from the start and helped her rise to stardom.
“Mandy,” Barry Manilow (1974)
In 1974, Davis celebrated Barry Manilow’s “Mandy” at Arista Records’ first Grammy-party. The success of the song confirmed his knack for pairing artists with the right songs.
“Piano Man,” Billy Joel (1973)
Billy Joel acknowledged Davis’s influence in his career, crediting him for signing with Columbia Records. “Piano Man” was released soon after, marking a milestone for Joel.
“Blame It on the Rain,” Milli Vanilli (1989)
Though Davis had a remarkable track record, not every decision was flawless. Davis’s Arista label achieved initial success with Milli Vanilli, only for the group to face a scandal when it emerged they didn’t sing on their tracks.
“Since U Been Gone,” Kelly Clarkson (2004)
Clarkson and Davis had a complicated relationship. Davis found her hit “Since U Been Gone,” despite initial reluctance from Clarkson, who wanted to co-write the song. The disagreement reflected Davis’s ear for hits and occasional missteps.

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